Puddle Of Mudd - Blurry | KARAOKE Version

**Artist: Puddle of Mudd**  

Puddle of Mudd is an American post-grunge band that formed in 1991 in Kansas City, Missouri. The band is known for their intense, emotionally charged sound, which combines heavy guitar riffs, melodic hooks, and raw, angst-driven lyrics. The core members of the band have changed over time, but lead vocalist Wes Scantlin has been the constant figure at the helm, contributing to the band's distinctive sound. Scantlin’s gravelly voice and ability to blend both aggression and vulnerability in his vocal delivery are a hallmark of Puddle of Mudd’s music. 

The band found mainstream success in the early 2000s after being discovered by Fred Durst of Limp Bizkit, who helped them secure a record deal with his label, Flawless Records. Their 2001 album *Come Clean* catapulted them to fame, featuring several hits like "Control," "She Hates Me," and perhaps their most famous track, "Blurry." The album was a commercial success, going triple platinum and solidifying Puddle of Mudd as a prominent force in the post-grunge movement that followed the grunge era of the 1990s.

**Song: "Blurry"**  

"Blurry," released in 2001, stands as one of Puddle of Mudd's most iconic songs. It was the second single from *Come Clean* and became the band’s most successful track, peaking at number 5 on the Billboard Hot 100 and topping both the Modern Rock and Mainstream Rock charts. The song resonated deeply with audiences due to its emotional intensity and relatable themes of pain, loss, and confusion. The raw, emotional content of the song, combined with its melodic, yet powerful musical composition, helped "Blurry" become a defining song of the early 2000s rock scene.

Musically, "Blurry" is characterized by its haunting melody and dynamic shifts between soft, almost vulnerable verses and a powerful, soaring chorus. The opening riff is instantly recognizable, setting the mood for a song that slowly builds in intensity. The instrumentation is driven by crunchy, distorted guitars, a strong rhythm section, and Scantlin's emotive vocals, which range from soft crooning to impassioned cries. The song’s structure reflects the emotional tension and release that its lyrics convey.

**Lyrics and Themes**  

"Blurry" is widely interpreted as a song about personal struggle, emotional pain, and the feelings of helplessness that come with the loss of important relationships. The lyrics are deliberately vague, which has allowed listeners to interpret the song in different ways, whether it’s about romantic loss, family issues, or internal turmoil. Many fans believe the song was written about Scantlin’s son and the pain of being separated from him due to custody issues, which adds another layer of poignancy to the track.

The chorus captures the essence of the song's emotional weight with the lines:  

*"Everything's so blurry, and everyone's so fake. Everybody’s empty, and everything is so messed up."*  

This highlights feelings of confusion, alienation, and emotional numbness. The repetition of the line "Can you take it all away?" in the chorus further emphasizes the desperation to escape from emotional pain. 

**Impact and Legacy**  

"Blurry" not only established Puddle of Mudd as a key player in the post-grunge scene but also resonated with listeners who were grappling with their own emotional battles. Its enduring popularity speaks to the universality of its themes. The song has appeared in numerous soundtracks and has been widely covered, cementing its place in the pantheon of early 2000s rock anthems. Despite the ups and downs in Puddle of Mudd’s career, "Blurry" remains a defining moment for the band, both commercially and artistically.

Natalie Imbruglia - Wrong Impression | KARAOKE Version

### Artist: Natalie Imbruglia

Natalie Imbruglia is an Australian-British singer, songwriter, actress, and model. She first gained international recognition in the mid-1990s, following her breakout role on the Australian soap opera *Neighbours*. However, it was her music career that solidified her global fame. In 1997, her debut single "Torn," from her album *Left of the Middle*, became a massive worldwide hit, propelling her into the spotlight. The song's success established her as a major figure in the pop-rock and alternative music scenes of the late 1990s and early 2000s.

Born on February 4, 1975, in Sydney, Australia, Imbruglia grew up with a passion for both acting and music. After leaving *Neighbours* to pursue a music career, she quickly became known for her emotive voice, heartfelt lyrics, and ability to seamlessly blend pop with rock and folk influences. Her music often centers around themes of love, heartbreak, self-discovery, and resilience. While "Torn" remains her signature hit, Natalie has consistently released music that showcases her range as an artist. Her albums, including *Left of the Middle* (1997), *White Lilies Island* (2001), and *Counting Down the Days* (2005), contain a mix of introspective ballads and more upbeat pop tracks.

Imbruglia's ability to connect emotionally with listeners is evident in both her vocal delivery and the lyrical depth of her songs. With her blend of vulnerability, strength, and authenticity, she carved out a unique place in the music industry, one that remains respected to this day. Beyond her music career, Imbruglia has also continued to act, model, and participate in various charitable causes, further showcasing her versatility and depth as an artist.

### Song: "Wrong Impression"

"Wrong Impression" is one of the standout tracks from Natalie Imbruglia's second studio album, *White Lilies Island*, released in 2001. The song was written by Imbruglia alongside Graham Edwards, Matt Bronleewe, and Charlie Midnight. It was released as the second single from the album in February 2002, and like much of Imbruglia's music, it resonated with fans thanks to its relatable lyrics and catchy melody.

Lyrically, "Wrong Impression" speaks to the misunderstandings and mixed signals that can occur in romantic relationships. The song’s protagonist feels that her actions or words may have been misconstrued by her partner, leading to a "wrong impression" about her feelings or intentions. It's a theme many can relate to: the frustration of being misunderstood, especially in a relationship where emotions are already heightened. Imbruglia’s gentle yet emotionally-charged vocal delivery adds weight to the lyrics, allowing listeners to feel the vulnerability and confusion the song conveys.

Musically, "Wrong Impression" is a blend of pop-rock and folk, featuring melodic guitar riffs, a driving drumbeat, and an infectious chorus. The song is both melancholic and hopeful, reflecting the emotional complexity of its subject matter. Its sound is reminiscent of the late '90s and early 2000s pop-rock era, with acoustic elements giving it a more organic feel. The production is clean, allowing Imbruglia’s vocals to take center stage while still maintaining a rich, full instrumental background.

"Wrong Impression" was well-received by both fans and critics upon its release. It charted in several countries, reaching the top 10 in Italy and the top 30 in the UK and Australia. While it didn’t achieve the massive commercial success of "Torn," the song helped solidify Imbruglia's status as a serious artist capable of producing consistently strong music.

In addition to its success on the charts, the music video for "Wrong Impression" also garnered attention. Directed by Francis Lawrence, the video features a series of dreamy, picturesque shots of Imbruglia wandering through different environments, perfectly capturing the song's wistful and introspective mood. The visuals complement the song’s themes of confusion and emotional longing, further enhancing its emotional resonance.

Overall, "Wrong Impression" is a quintessential Natalie Imbruglia track: thoughtful, emotionally resonant, and beautifully crafted. It stands as a testament to her skill as both a songwriter and a performer, and it remains a fan favorite even years after its release.

Lifehouse - Hanging By A Moment | SONG LYRICS Version

**Lifehouse - "Hanging By a Moment"**

Released in 2000, “Hanging By a Moment” by Lifehouse became an anthem of the early 2000s, dominating airwaves and establishing the band as a major player in the post-grunge, alternative rock scene. The song is featured on their debut album *No Name Face* and is one of the band’s most recognizable tracks, both for its infectious energy and emotional depth. It was written by Lifehouse’s lead vocalist, Jason Wade, and its raw, heartfelt lyrics combined with a powerful melody made it an instant hit.

### The Band: Lifehouse

Lifehouse was formed in 1999 by Jason Wade, along with bassist Sergio Andrade and drummer Jon “Diff” Palmer. At the time, Wade was just 19 years old, and his talent for songwriting and poignant lyricism helped propel the band to the forefront of the rock scene. Raised in a Christian household, Wade moved often during his childhood due to his parents’ work as missionaries. These experiences shaped his introspective, spiritual approach to songwriting, which resonated deeply with audiences.

Though *No Name Face* was their debut album, Lifehouse quickly gained recognition for their signature sound—a blend of alternative rock, post-grunge, and acoustic influences. Wade's emotive voice and the band’s melodic yet gritty instrumentation became their calling card. Lifehouse often balanced themes of existential searching and emotional vulnerability in their music, and “Hanging By a Moment” was no exception. Despite their early success, Lifehouse has remained consistent in producing music that explores the deeper aspects of love, faith, and human connection.

### The Song: “Hanging By a Moment”

“Hanging By a Moment” was written by Jason Wade during a tumultuous period in his life. He described the song as capturing the moment of falling in love, full of uncertainty, passion, and vulnerability. The lyrics reflect a yearning for connection, with lines like “Desperate for changing / Starving for truth” and “I'm falling even more in love with you” illustrating the emotional intensity of being swept away by love.

Sonically, the song starts with a driving, upbeat guitar riff that sets the tone for its dynamic progression. Wade’s voice, which fluctuates between soft introspection and powerful declarations, is one of the track’s standout elements. The chorus—“I’m hanging by a moment here with you”—is both a cathartic release and a declaration of being completely consumed by the emotions of love. It’s this blend of raw emotion, soaring melodies, and catchy hooks that made the song resonate with such a broad audience.

The track was an immense commercial success, reaching #2 on the Billboard Hot 100 and becoming the most-played song on U.S. radio in 2001. It’s one of those rare songs that crosses genre boundaries, appealing to fans of rock, pop, and even contemporary Christian music. “Hanging By a Moment” helped Lifehouse’s debut album go double platinum and solidified the band’s place in early 2000s music culture.

### Legacy and Impact

Even more than two decades later, “Hanging By a Moment” remains one of the defining songs of the early 2000s. Its themes of love, uncertainty, and emotional surrender are timeless, ensuring its continued relevance. Lifehouse went on to release several more successful albums, but “Hanging By a Moment” continues to be a touchstone of their career, embodying the emotional rawness and sincerity that made them stand out in a crowded alternative rock scene.

For many fans, the song still captures the emotional intensity of young love and the transformative power of deeply felt emotions, making it an enduring classic.

Binocular - Deep | KARAOKE Version

**Artist Overview: Binocular**

Binocular is the musical project of Kevin Rudolf, an American singer-songwriter, producer, and multi-instrumentalist. Known for his ability to blend rock, pop, and electronic elements into a unique soundscape, Rudolf has made a name for himself not only as a solo artist but also through his collaborations with prominent artists in the music industry. While Rudolf gained widespread recognition with his 2008 hit “Let It Rock,” his earlier work under the name Binocular showcases a more introspective, electronic side of his artistry.

The self-titled debut album "Binocular," released in 2001, is a deeply personal and atmospheric record that marks a departure from the more mainstream style Rudolf would adopt later in his career. The album was filled with emotional lyrics, ambient synths, and intricate guitar work. It was clear from this release that Binocular was not just a casual foray into music but rather a serious artistic expression of Rudolf's inner world. Though the album didn’t achieve major commercial success, it developed a cult following due to its deeply immersive and emotive nature. 

**Song Title: “Deep”**

One of the standout tracks from the Binocular project is the song “Deep.” Released as part of the 2001 album, “Deep” encapsulates the overarching themes of emotional isolation, longing, and existential introspection that Binocular explored throughout the record. The song blends soft, ethereal melodies with a haunting vocal performance, creating an immersive experience for the listener. It’s a song that invites deep reflection and resonates with anyone who has struggled with feelings of loss or yearning.

From a production standpoint, “Deep” stands out for its minimalist yet powerful arrangement. The track opens with a simple acoustic guitar riff, underpinned by atmospheric synths that create a dreamy, otherworldly feel. As the song progresses, subtle layers of electronic beats and textures are introduced, adding to the emotional depth without overpowering the delicate nature of the song. The minimalist production allows for the emotional weight of the lyrics to take center stage.

**Lyrics and Themes**

Lyrically, “Deep” is a song that explores the themes of emotional complexity, isolation, and longing for connection. The lyrics convey a sense of vulnerability, as if the narrator is grappling with their innermost feelings, trying to make sense of a world that feels distant and cold. Lines like *“I’m deep inside of you / It’s deep inside of me / I can't control it / It's got a hold on me”* reflect the internal battle of wanting to feel deeply connected while also being overwhelmed by the weight of those emotions.

There’s an inherent melancholic beauty in “Deep,” as the lyrics suggest that despite a desire for closeness, there’s always an invisible barrier that prevents true emotional fulfillment. This thematic tension is something that many listeners can relate to, making “Deep” a poignant and powerful piece of songwriting.

**Impact and Legacy**

Although "Deep" and the Binocular album didn’t achieve massive commercial success, they remain important artifacts in the world of early 2000s alternative and electronic music. For fans of atmospheric, introspective music, “Deep” offers a sonic escape, a chance to dive into the emotional complexities of human existence. The song stands as a testament to Kevin Rudolf’s versatility as an artist and his ability to craft music that speaks to the heart on a profound level.

In summary, Binocular’s “Deep” is a song that blends emotional vulnerability with delicate production to create a deeply resonant listening experience. The track, though understated, continues to hold a special place for those who appreciate music that captures the complexities of human emotion.

Pablo - Blessed | KARAOKE Version

Galing sa ibang planeta

Siya ay galing sa ibang planeta

Oh-oh, ooh-ooh-ooh-ooh

Every day we've got something

We desire to just let go, baby

Ika'y galing sa ibang planeta

Ika'y galing sa ibang planeta

Malakas na awra, anyong kakaiba

T'yak nagsimula na kumalabog

Mga tambol at ang kampana

'Di naging madali 

ang transpormasyon

Ilang beses na 

muntikan maikahon

Noon pa 'yon, ano ngayon

'Eto nalulong sa walang 

katapusang hampas ng mga alon

At nang mabaliw na sa musika

Binali ang batas ng Pisika

'Di na makuntento sa tipikal

Na parang galing 

sa ibang planeta (Woah)

Wala ka bang 

naririnig, 'tol?

Ayan na't dumadagundong 

na ang tambol

Kasunod na ang yumayanig 

na lindol

Ang pagsibol ng nag-iisang 

tagapagtanggol

Every day we've got something

We desire to just let go, baby

Ika'y galing sa ibang planeta

Ika'y galing sa ibang planeta

Bawat bara tagos sa beat

'Yung mapapaisip ka, 

puso na pala na-hit

Kadalasan ang katotohanan 

medyo masakit

'Yung tipong mapapatanong 

ka na lang ng bakit

Hindi pepwedeng tenga'y 

sarado sa 'di mo gusto

Gamot ang totoo sa delusyonal 

mo nang mundo (Mundo)

Kung 'di niyo kaya, 

sinong gagawa?

'Wag na mahiya, 

taga-ibang planeta

Wala ka bang naririnig, 'tol?

Ayan na't dumadagundong 

na ang tambol

Kasunod na ang 

yumayanig na lindol

Ang pagsibol ng nag-iisang 

tagapagtanggol

Every day we've got something

We desire to just let go, baby

When nobody's gon' 

fill the duty

There you go and save us 

from the fire, yeah

Ika'y galing sa ibang planeta

Ika'y galing sa ibang planeta

Ika'y galing sa ibang planeta

Ika'y galing sa ibang planeta